Each year, theWorld Photography Organisationcelebrates the very best images and photographers on the planet with theSony World Photography Awards.
This year, more than 327,000 images were submitted across the four main categories: Professional, Open, Student and Youth. Four British photographers dominated theprofessional landscape category, but there are also plenty of other astounding images worth looking at.
We’ve collected some of the winners for you to enjoy.
Five Degrees
The Professional Photographer of the Year award went to Federico Borella for theFive Degrees seriesof photos. This particular image tells one of suicide and tragedy:
“India, Tamil Nadu, May 2018. One of the skulls claimed to be the skull of a farmer who committed suicide, held by Mr Premkumar, a member of the South Indian Farmers Association. This skull was also used during a protest in Delhi in 2017, where farmers demanded a drought relief package and loan waiver for peasants from the state. But what leads farmers to this extreme act? They run into debt to invest in production, agriculture-related activities, machinery maintenance, and to repay previous loans. Despite these efforts, harvests damaged by adverse weather, economic factors, and short-sighted water management lead to debt repayment failure. Thus, a kernel of slow and gradual mental agony sneaks into these land workers’ minds and grows into the shame they feel towards their family and society.”
This image by Zelle Westfall from the United States saw the young photographer selected as the Youth Photographer of the Year 2019. All based on a single image, rather than a series of images as with other categories.
Zelle Westfall said:
“I had this image in my mind before I took it. This was the very first shot, just to test the lighting. Right away, I knew this was exactly what I was going for. The rest of the shoot was spent collaborating with Jordan. Abuot is my friend from school and she is one of the funniest people I know. In today’s society, with skin bleaching products and colorism flooding the media, it’s important to highlight the beauty of dark-skinned women who are often told that they are “too dark.””
Christy Lee Rogers, from the USA, won the Open Photographer of the Year award 2019 for her image titled Harmony. She received a price of $5,000 for this image that was captioned:
“Shot underwater in Hawaii, this image is part of my Muses Colllection. What started to work best for me was having a perspective from outside of the water, looking in and using the surface of a pool as a canvas, utilizing natural effects like the refraction of light with movement to bend reality, and shooting at night so I could really control my light.”
La Terreta
Sergi Villanueva from Spain was chosen as this year’s Student Photographer of the Year thanks to the series La Terreta.
“In Valencian, there is a word that describes pride for the land where I belong: La Terreta. A feeling that surrounds us all, be part of La Terreta is to love our roots, the richness of our land, our culture, our people, our identity. Every time I go to La Terreta there is a sign that I see on the road that welcomes me home: the orange groves. That is why in this series I have focused on capturing daily life around the orange trees. From the farmers who plant and care for the trees to harvest the fruit, to the women who choose the oranges that will end up around the world. The orange tree is the essence of my land, it maintains the feeling of belonging and leaves the door open to future generations, spreading a message about the value of taking care of what nature gives us as a part of our identity.”
To the South of the Colourful Clouds
Yan Wang Preston, from the UK, won first place in theprofessional landscape categoryfor his series of photos titled “To the South of the Colourful Clouds”.
“The series depicts the otherworldly “ecology recovery” landscape in Haidong Development Zone in Dali, Yunnan Province, China. Here, a small rural area is being urbanised systematically to create “an international leisure town and an ecology model town.” In doing so, the topsoil of the entire area is replaced by a type of red, semi-artificial soil, which forms the base for introduced, mostly non-indigenous plants, including thousands of mature trees. Meanwhile, green plastic netting is used to cover everything unappealing to the eye, from construction waste to disused quarries. The town’s objective here has shifted from an “ecological” concern to a cosmetic one of trying to be visually green. The images are part of an eight-year project “Forest” (2010-2017), for which the photographer investigates the politics of recreating forests and “natural” environments in new Chinese cities.”
Polytunnel
Second place in theprofessional landscape categorywent to Marco Kesseler for his photographic seriesPolytunnel.
“This project looks under the surface and examines the hidden landscape within the spaces in which our food is produced. Looking at cyclical changes and the relationship between chaos and control in the natural environment. In the polytunnel, the seasons are stretched and softened within a polythene skin, creating its own cosmos. In these unseen spaces, nature vies for territory within a man-made colony.”
In The Garden of England
A third place award in theprofessional brief categorywent to Edward Thompson for his series of photos taken in South East England entitled “In The Garden of England”.
“This body of work is part of a culmination of eighteen years of predominantly photographing the South East of England. There are a number of themes at work in this photo-series covering nostalgia, class and the beautiful uncanny of everyday English life. As a photographer, the work represents the continued pursuit of my visual style and approach to photography. It has taken a long time to get here and now, going through the wider edits of this work, I can appreciate that I always saw the world in this way.”
Hierotopia
A series of stunning aerial photographs won photographer Kieran Doddsthe third-place positionin theprofessional landscape category.
“Ethiopia has lost 95% of its native forests due to human activity in the last century. What remains surrounds circular Tewahedo Orthodox churches; these ancient canopies are protected as a tenet of faith. The country’s population will double in the next 30 years, further pressurising these natural treasures. Thousands of forest fragments exist across Northern Ethiopia - green islands of biodiversity in an expanding sea of agriculture - but a mere fraction are viable. Incremental erosion from grazing and subsistence agriculture is destructive: thinned forest edges kill the canopy from the outside in. To their guardians, each forest is a miniature Garden of Eden, essential to the building’s dignity. One priest described the trees as “the clothes of the church”. The forest’s religious significance is equalled by its ecological function: these sacred oases raise water tables, lower temperatures, block destructive winds and are home to yield-boosting pollinators. These genetic repositories are vital for human survival in Ethiopia.”
Paimio Sanatorium
With a colourful collection of images of the Paimio Tuberculosis Sanatorium, photographer Tuomas Uusheimo was awarded second place in the professional architecture awards.
“The fate of one of the world’s greatest Functionalist masterpieces, Paimio Tuberculosis Sanatorium (1933) is at stake. The owner of the property has decided to sell it in the next six months. The Alvar Aalto foundation has launched an appeal to preserve Alvar and Aino Aalto’s key work intact and protect this example of “healing Modernism.” Paimio Sanatorium is a former tuberculosis sanatorium in South West Finland. It represents the “modernist” period of Aalto’s career, and followed many of the tenets of Le Corbusier’s pioneering ideas for modernist architecture. The building is widely regarded as one of Aalto’s most important designs and has been nominated for UNESCO World Heritage status. I want my photographs to show how buildings carry their past with them. While I am fascinated by natural and human-inflicted change that occurs as time passes, I also feel responsible for making a contribution to raise awareness of such unique architecture.”
French photographers Nicolas Gaspardel and Pauline Baert were awarded the first place prize for professional still life photography with the series “Yuck” which was appropriately lead with this image of bubble gum on toast.
" With a touch of mockery, BEURKMAGAZINE photographs food every day through metaphors that are as poetic as they are disturbing. For BEURKMAGAZINE, society is “yuck” in a pop culture universe. Our creative approach is composed of antithesis. Dali amused himself by composing works with irrational associations of forms, images and objects; Maurizio Cattelan, meanwhile, focuses on the subversion of symbols and provocation; we are somewhere in between, with a more general than personal point of view and a desire to give ugliness an artificial beauty. Food is at the center of our ideas, which are magnified, manipulated and reworked to highlight our message. The pop tone, tight shots and especially the titles are an integral part of our signature."
